Kulabbarl is what we Bininj (Aboriginal people) call a billabong, where the flow of a river is blocked and builds up in the rain. Lots of fish are concentrated there, especially when the water starts to recede in the dry season. In small billabongs, we catch things like burd (freshwater bream), marrngunj (small eel-tailed catfish) wakih (freshwater shrimp), kedjebe (file snakes) and ngalmangiyi (long-necked turtle). And in big billabongs, we go and get fish like namarnkol (barramundi), kuluybirr (saratoga) and manmakkawarri (catfish). Sometimes we see kinga (saltwater crocodiles) or kumoken (freshwater crocodiles). There are manimunak (magpie geese), djilikuybi (whistling ducks) and lots of other birds which we eat at billabongs.

Manbu kulabbarl ngarriyime bu kudjewk mandjewk nawern kadjakdung wanjh kabore kore mankabo. Wanjh bu kabongurdme kabodadjme wanjh kamarnbun manlabbarl. Kumekke djenj kadjaldi kore kulabbarl. Kulabbarl karri djenj yiman burd marrngunj wakih kedjebe ngalmangiyi kore kulabbarlyahwurd. Dja kore kulabbarlkimuk ngarrire ngarrimang namarnkol kuluybirr manmakkawarri yika ngarrinan kinga kayo kore kulabbarl. Dja kani manimunak djilikuybi dja nawern nawu mayhmayh kani kore kulabbarl.

Size 21 x 61 cm | Medium Paper | Catalogue # 1900-21 | Year 2021

Artist  Graham Badari

Graham Badari’s country is Maburrinj, in the rocky escarpment country about 120 kilometres east of Gunbalanya. He draws artistic inspiration from this environment and also paints the Dreamings of his Mother Country, Djurlka, where he spent time as a young man near the outstation of Marmardawerre. He was raised by the renowned artist Djawida Nadjongorle, but like many of the artists at Gunbalanya credits the late Thompson Yulidjirri as his greatest artistic influence. From these senior men, Badari learnt the fluid and dynamic figurative style that defines Kunwinjku painting at Injalak Arts. He began painting sporadically around 1990, but has since become part of a group of dedicated and innovative artists at Gunbalanya. His paintings show the influence of the visual language of their rock-art heritage, while remaining committed to artistic innovation. It is this beguiling balance of tensions, innovation and tradition, ancient and modern, beauty and terror, that energises Badari’s paintings.

further details

Size 21 x 61 cm
Medium  Paper
Catalogue # 1900-21
Year 2021