Namarnkol, the barramundi, is a very important fish for us Bininj (Aboriginal people). Namarnkol are found in the ocean, in floodwaters, and in freshwater billabongs, rivers and creeks. In the old days, people used to spear them with djalakirradj (three-pronged fish spears) and walabi (traditional triangular nets). Nowadays, we catch them with fishing lines and modern nets. Namarnkol are most easily caught from the end of the monsoon (March -April) until the humid “build up” season (October-November). There are sites in lots of clan countries where the ancestral Barramundi placed itself as a Dreaming. Men and women will say “My Dreaming is Barramundi, it placed itself in my country”.
Nawu Namarnkol djenj nakka wanjh nadjalkuken djenj ngadberre nawu ngarrikukburlerri dja birrikukbele. Namarnkol kare kore kurrula yika kabirriyime kore mibokala dja kukku kubowinjku kore mankabo manlabbarl manwanjdjad. Bu korroko birridanjbuni djalakkiradj dja walabi birrimangi. Dja bolkkime wanjh wakkidj karrimang dja balandakenh nawu walabi. Namarkol djang kadjangdi kore kubolkwarlah kunred bedberre kore namarnkol djangkurrmerrinj bu korroko duninjh. Wanjh nawu bininj dja daluk kayime ngaye djang ngarduk namarnkol djangkurrmerrinj kore kunred ngarduk.
Size 31 x 102 cm | Medium Paper | Catalogue # 2287-22 | Year 2022
1 in stock
Artist Shaun Namarnyilk
Shaun Namarnyilk is the son of Rita Nadjongorle and Bundy Namarnyilk. Shaun is an experienced artist, tour guide, musician and storyteller. His aesthetic continues to develop, drawing on the ancient rock art stories and styles of Injalak Hill and other rock art sites around Western Arnhem Land. Shaun has also worked as a ranger. While caring for country as a ranger Shaun has had access to many remote and inaccessible rock art sites that few people have had the privilege of visiting in thousands of years. Shaun is inspired by the ancient knowledge and aesthetics of his ancestors to create remarkable contemporary paintings that span subjects from traditional knowledge and sacred spirit beings to current affairs like the effects of the coronavirus pandemic on the community of Gunbalanya, as well as the diverse challenges and benefits that living in a remote community presents. Shaun mixes coloured pigments and ochres to create backgrounds which reflect the surface of the rock itself. He is developing the West Arnhem ‘x-ray style’ technique, leaving his canvas out in the rain and continues to build layers, giving his artworks the appearance of the ancient rock art.
One of his grandfather’s is Djawida Nadjongorle, and other one is Spider Namirrikki, along with Jimmy Namarnyilk.
Shaun has previously worked as a ranger, caring for the Stone Country of West Arnhem Land.
Size 31 x 102 cm
Catalogue # 2287-22