Michael Naborlhborlh

Skin name: Nabulanj
Language: Kunwinjku
Dreaming: Duwa
Clan: Burdoh
Date of birth: 1966-11-09
From: Manmoyi
Community: Oenpelli : NT
Artworks

Mimih Spirit Hunting
Michael Naborlhborlh
31 × 41 cm

Namarddakka (Nail Fish)
Michael Naborlhborlh
15 × 41 cm; acrylic on arches paper

Burarr (Water Goanna)
Michael Naborlhborlh
20 × 30 cm; acrylic on arches paper

Ngalkordow (Brolga)
Michael Naborlhborlh
20 × 30 cm; acrylic on arches paper

Ngalyod (Rainbow Serpent)
Michael Naborlhborlh
41 × 61 cm; acrylic on arches paper

The Turtle and Echidna Story
Michael Naborlhborlh
41 × 61 cm

Mimih Spirit Hunting
Michael Naborlhborlh
40 × 61

Burarr (Water Goanna)
Michael Naborlhborlh
31 × 41cm

Karlerrh (Long Tom)
Michael Naborlhborlh
41 × 15 cm

Namarnkol (Barramundi)
Michael Naborlhborlh
15 × 41 cm; acrylic on arches paper

Rock Art Style
Michael Naborlhborlh
56 × 76 cm

Namarnkol (Barramundi)
Michael Naborlhborlh
31 × 41 cm

Namarrkon (Lightning Man)
Michael Naborlhborlh
41 × 61 cm
Biography
Michael Naborlhborlh grew up in Gunbalanya and is a founding member of Injalak Arts. Michael was one of the original screenprinters at Injalak, working alongside Gabriel Maralngurra, Ted Naborlhborlh, Neville Namarnyilk, Kennedy Girrabul, Harold Nayinggul, Laurie Nadjamerrek and Ray Young. They set up the screenprinting facility with adult educator Wendy Kennedy in a shed across the road from the council office. When the Injalak building was constructed in 1989, they moved over. At this point he also became more heavily involved in painting and began leading tours of Injalak Hill.
Michael has worked as a ranger for Warddeken at Manmoyi and Kabulwarnamyo. He worked in bushfire prevention and feral pig culling. He then worked with the outstation resource centre Demed, providing support to outstations with activities such as food deliveries, road building and house construction. From 2009 he worked with Earth Connect and Territory Alliance constructing houses in Gunbalanya.
Michael paints in the classic kunwinjku style of single-line rarrk (hatching) that has been practised on the rock walls of west Arnhem Land for centuries. Michael has a well-honed sense of composition and form, and his meticulous rarrk imparts an almost shimmering quality to his paintings. Michael can be found painting under the verandah at Injalak most days or leading tours up Injalak hill during the dry season.